killer ron allen and hayden andre release!! originally released in 1991, and the first release on their soon to be cult imprint strobe, metamorphasis is a strong statement of intent, across six tracks allen and andre lay down a plethora of styles ranging from the deepest house sounds to more warehouse leaning bleep style tracks, deep sub bass, dreamy washing pads and taut drum programming are all the order of the day here and boy are we all the better off for it! this is essential stuff for all house and techno lovers out there, the real deal indeed! essential!

ltd repress / black vinyl

eat x changers comes back to you with our new release, introducing young and gifted canadian producer ferness. matthew joined the beat x crew following what has become a classical path to the producers of the labels. after joining the forum in 2015, he shared a collab with frakktale on speed luanda which got our attention with its deep, broken and melodic structure. today we can proudly introduce you to his first release - internet/dreams/deception – which will take you in a soft and beautiful daydream tinted with a 80 s grain. you ll be guided all along of this trip by a strong and powerful rhythmic, full of house, broken beats & bass influence. beat x changers at its best

ltd 1 per customer - as one of chicago s most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years – blazing a trail throughout the 90s, prolifically releasing over 200 tracks from 1994 to 1999, spencer s music had shades innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared from view. gemini s unique combination of chicago groove, detroit strings and spacey effects have rightly ensured on the north star as a sought after classic of the era. the ep was the second of gemini s two 12- for peacefrog which was closely followed by his peacefrog long-player in and out of fog and lights (re-press coming soon). lush transcending deep house for the conersiour.

since the beginning we can see an evolution in jose ricos music. his sound is now more powerful than ever and the structure of his tracks have gained in complexity. the rhythms of his tracks, highly influenced by chicago house and detroit in his earlier releases, now are looking at the european 90 s electronica and dub music, slowing down (even more) the tempo. we can say that the his last releases on into the the deep and off minor are probably his best works and most mature, so far. de&#769,,ja&#768,, vu, the 11th downbeat installment, continues to explore this route. here we find four emotional and spacey tracks, made by old synths and samplers which takes us back to the early 90 s.

n.o.i.a. records is proud to announce the arrival of an eight track album from italian pair tengrams entitled outerspace blues. tengrams are brothers alessandro and davide piatto, who collectively have a deep and long understanding of dance music. davide runs the n.o.i.a. label and was one of italy s first touring electronic live acts, performing and recording with drum machines and synthesizers as early as 1978 as part of seminal italo outfit klein + m.b.o. since then they have released under an array of aliases, have clocked up numerous club hits and this new project brings them right back to their electronic roots.

over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of keiji haino. through a vast number of recordings and performances haino has staked out a ground all his own creating a language of unparalleled intensity that defies any simple classification. for all this, his 1981 debut album watashi dake? has remained enigmatic. originally released in a small edition by the legendary pinakotheca label, the album was heard by only a select few in japan and far fewer overseas. original vinyl copies became impossibly rare and highly sought after the world over. watashi dake? presents a haunting vision stark vocals, whispered and screamed, punctuate dark silences. intricate and sharp guitar figures interweave, repeat and stretch, trance-like, emerging from dark recesses. written and composed on the spot haino’s vision is one of deep spiritual depths that distantly evokes 1920s blues and medieval music yet is unlike anything ever committed to record before or since. coupled with starkly minimal packaging featuring the now iconic cover photographs by legendary photog rapher gin satoh, the album is a startling and fully realized artistic statement.

die legendären britischen rough trade-shops starten mit -behind the counter- eine release-serie mit einflüssen und inspirationen ihnen beliebter künstler. den anfang macht der in berlin lebende, britische neoklassik- und filmkomponist max richter, der einen faszinierenden einblick in seinen musikalischen kosmos gewährt, aus dem er seine einzigartige, künstlerische vision schöpft. die 36-track-compilation enthält musik von mogwai, boards of canada, let s eat grandma, kaitlyn aurelia smith, godspeed you! black emperor, philip glass, aphex twin und low, sowie klassische werke von rachmaninoff und bach, und erscheint als doppel-cd mit zwei mixsets und als triple-lp mit allen ausgespielten tracks, samt einem download-code zu den beiden mixsets.

the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.

what is there to say about the difference ? this is how it should be done - deep, with soul and conveying a message, house music doesn t get any realer, any purer. logic, a collaborative effort between wayne gardiner, roger sanchez, vivian sessoms and eddie maduro unleashed this monolithic slab of music on the world in 1990. truly streets ahead this record helped carve a new sound, a new feeling in dance music. oozing with human emotion and feeling the difference is one of those records that honestly warrants the title of classic . it s b side i got somethin is a slinky, late night groove that recalls smoky, sweaty dance-floors and is all the better for it, this is the real deal for real. yet another solid, essential release from the mighty strictly rhythm vaults, sounding as important, fresh and incredible as it did on it s initial release. house music history brought back into view for lucky ears and feet in 2017. the difference has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

absolutely essential record right here - the underground solution aka the s man aka the legendary roger sanchez is a name that you should all be familiar with by now, and his 1990 anthem luv dancin is an nyc deep house benchmark. that s right, this originally came out in 1990. that s a heck of a long time ago. thing is, this record, when played at the right time will still cause maximum damage in the club. riffing on disco classic is it all over my face and with elements of the bottle interspersed with a deep, rolling garage bassline and dreamy keys and pads sanchez crafted a solid gold cut, a timeless piece of dance music that still inspires today and is often imitated yet obviously never bettered! the flipside cuts deep in my mind and afterthought are also sublime exercises in the deepness, the s man s trademark eerie pads, bleeps and dope drum programming evident throughout, making these tracks huge hits from nyc to sheffield and beyond! this whole ep is flawless and if you dig the deeper side of this stuff then you re in for a treat - now s your chance to bag a bonafide, hands down classic record! luv dancin has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

the new joey negro album produced with love is now available across all formats but as the double cd contained 20 tracks it wasnt possible to fit everything onto the 3lp version so the space time ep is a new vinyl ep containing some of these tracks that weren t ready in time to make it on to the vinyl lp. first up is distorting space time, a drawn out dubby, jazzy, spacey track that suggests a heavy arthur russell influence, one that is already a firm favourite of gilles peterson, louie vega and françois kevorkian i recognise is a jazzy boogie track with kaidi taitum on keys full of spacey effects and features sacha williamson on vocals. dancing into the stars features london s best disco party starters horse meat disco on co-production duties and angela johnson on vocals. this is the unreleased extended mix that comes in at over 10 minutes and is a full on dan hartman style modern disco production. completing the package is the black loops remix of wont let go who takes linda clifford s vocals and a killer bassline into deep house territory.

on the a side - fresh aus das legalize lambada vaterland, the ex-yu! we bring you two white magic truffles one a jazz-funk original number courtesy of anelidi and the other a bangin-disco-stomper edited by lule. for the b side 2 more precious black truffles, dug out by our wild boars on their recent trips to the motherland - africa. our main man mikeburns delivers a mental-afro-hand-raiser while albion caters a deep-teeth-clencher. recognize and legalize!

kampana s debut release was a global hit across the house, disco and tropical scene, with support from heavyweights such as francois k, soul clap and gilles peterson. the label is back just in time for summer with three more doses of peak time fire from aroop roy, who has gained a fine reputation for the quality and widespread appeal of his releases. you say is a funk-fuelled number with gritty retro vocals and guitar, driven by a warm disco groove and 80s arp-synth. the feel-good vibes gradually build into an anthemic floor-filling climax. taj mahal reworks a brazilian classic into a full on house workout, reminiscent of roys popular series on gamm. mapora is an original number that will blend well into both deep house and afro-centric sets. the track builds nicely with filtered samples and syncopated vocals, coming in with an infectious highlife guitar line and late night synth stabs, to get mind and body moving.

brs were a uk house outfit who released between 2000-2008 on their own imprint friends & families & on many other labels including 2020 vision, cyclo & imperial dub - the group comprised of rob evans, ben vacara & mr mulatto (the 2x latter now members of the situation collective). lovin me was first released on a brs ep on imperial dub recordings back in 2000. in its original format the 12- included the original mix, dubtribe sound system remix and a bonus track bouncing. situationism are delighted to re-release the incredible full length dubtribe soundsystem remix again on limited vinyl. this remix became a classic, appearing on numerous compilations including groove armada s another late night and ministry of sounds chillout sessions 2004 to name but a few. included on this limited vinyl run will be 2x new remixes from italian deep house, motorbike duo harley & muscle & the also the lovely bittersuite, both delivering quality mixes. all brought to you in time for those long summer evenings!

nice price deal !!! tony humphries, osunlade & jimpster are all giving this the thumbs up!!!

one per customer.... jayda g s new record out on freakout cult, in collaboration with mysterious laylay. a wonderful bumpin house vibe track with some dancehall infused spice on the a side. b side a more moody deep underground affair, with words of purple wisdom. essential summer record. with smashing party artwork!

nice price deal !!! likhan swings himself away from the dubtech sound with two deep house inspired jaunts. while theres traces of his former sound, both tracks operate on a house tempo with melodic organ motifs and laidback percussion more inspired by the prescription catalogue or dj gregory than anything in the modern dubste quarters. however, its not all nice, keeping some semblance of dirt under the fingernails with rude squelching bottom end and ruffed-up soca shuffles compatible with the post-step, funky brigade

3n0 is a new record label launched by yay recordings, with the main purpose of promoting new and emerging artists. the first release is credited to gianluca casnici as a young talent that is part of the stable of dj yay events. -ethereal ep- is composed of 4 solid tracks ranging in electro and techno with deep and refined melodies with a clear reference to the sounds of detroit.

one of the current techno scene’s ‘hidden treasures’, bristol based a sagittariun has discretely released a wide breadth of music over the last five years for labels like secretsundaze, hypercolour and his own elastic dreams label. two highly acclaimed albums in “dream ritual” and “elasticity” as well as fifteen eps have appealed to those who like their techno without frontiers, taking in blistering 140bpm techno, breakbeat idm and ambient dub with ease. his second release for hypercolour displays signs of crossover appeal at long last… lead track “vanishing point” has already been receiving early plays from the likes of laurent garnier (dropping it in his recent timewarp germany set), spencer parker and len faki. big pumping beats and spiralling fx fall aside to a lone breakbeat that ushers in one pretty special breakdown section. the childlike keys and fathoms deep synth stabs (straight out of the john carpenter school of fathoms deep synth stabs) have already drawn comparisons to the retro 80s vibes to be heard on the american sci-fi horror series stranger things. it’s a breakdown that takes the listener to an uncharted dimension, bookended by slammin’ beats that acts as a perfect mood changer in any set. watch this one soar! “the pathway” keeps things on an all together straighter tip, an incessant tribal loop weaves and filters around a thunderous kick and shuffling hats, ebbing and flowing all the way in what might be a sagittariun’s most club-centric and stripped back production yet. matrixxman (dekmantel/spectral sound) is on hold to deliver a superb remix, pushing the original down a long dark tunnel for a growling and reverberating techno overhaul

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

correspondant’s comprehensive fifth compilation is due to drop imminently. once again jennifer cardini’s label have recruited a seriously on-point rollcall of friends and family to contribute to its distinctive cosmic, deep, groove-laden veneer as everyone from man power to marvin & guy deliver their rule-free finest. following the first ep sampler with tracks from khidja, jonathan kusuma, marvin & guy and kempes here are four more startling future-shocks from the forthcoming collection. featuring stellar star-gliding synthetic soul from some of the label’s oldest friends such as red axes and javi redondo, kindred spirits such as fort romeau and new friends like colli alban, it’s the perfect set-up for the total knock-down that is the album. guaranteed to be soundtrack our summers, dancefloors and souls for a long time to come…

no tech, just wax! was born from the love for the raw essential old school sounds and the new deep electronic shades of gian marco / sucaz / frankie.

deco is the new label of manuel de lorenzi (monday morning) and giacomo silvestri (25hours). after their strong friendship and collaboration in studio they decided to release some fresh stuff together. 4 original tunes, deep ones with a touch of housy dancefloor vibe. deco is their platform to express all the ideas fixed and mixed together. deco is music, art and their inspired mood. stay tuned!

afrocentrist philou makes his debut on basic fingers with a trio of deep-seeded treats comprising one original and two game-changing edits. this homage to the senegal/mali mountain region softly ignites with the cosmic yearns and mild acid grounding of lumumba s revenge. it sets the scene for two takes on regional traditions tartits tribe adds a driving afrobeat and hypnotic swing to an ancient tombouctou desert song while fadimata s dibabba is a dense and inebriating weave of senegalese instruments and chants

since his first release in 1997, hanna has been a body of art with the agenda of putting ambiguous chord structures and harmonies into an electronic music envelope. the more popular works lying in the deep house and techno genre. the apron release called the never end, opens and closes with ambient pieces without drums or percussion with strange titles being and when which are improper adjectives or nouns that symbolize the ambiguity of the chords and beauty of the sound. the other 4 pieces nudge previous unique hanna minerva that makes this a special and impressive release.

long awaited perlon compilation feat.:
ricardo villalobos, fumiya tanaka, zip, margaret dygas, binh, melchior productions ltd, spacetravel, maayan nidam , markus nikolai, baby ford, soul capsule...

hand stamped, vinyl only! the fourth coffee pot release shows the different sides of the italian duo, from the a-side groover spread the message , to the trippy melody drone , to the deep hypnotic nuevaera . early support from paul ritch, luca agnelli, drumcomplex, greg gow, don rimini, 2000 and one, gel abril, carlo lio, duncan gray, daniel sanchez, depthon, gemini brothers, brother s vive, last waltz, marco effe, mental resonance

connaisseur of all things funky, mr. g is re-releasing some of his most classic tracks through his ever advancing phoenix g imprint. on the second part of this label retrospective we have light’s out, how deep? and all u need. classic material from the g man.

bringing his signature sound to crosstown rebels, delightfully unconventional producer sis delivers his third release on the label, the blind side. hot on the heels of his boabab album on mobilee, rodriguez jr. delivers a stunning remix on the b-side. the blind side is set to soundtrack the summer, an incredibly infectious track with its exotic and intricate drum workouts and alluring vocal cuts. on the flip, rodriguez jr. brings in deep pads, uplifting melodic keys and a storming piano lines for a whole new take on the original. taking his artistic enthusiasm from his turkish father, sis grew up in berlin surrounded by music. following a series of releases on nick curly’s cecille, ricardo villalobos who loved his track trompeta so much that he released it on his boutique label picked up the german producer sei es drum in 2008. his success of trompeta led to an avalanche of recognition, groove magazine and ‘newcomer of the year’ by raveline mag named him both ‘producer of the year’. in 2011 sis launched his own label cocolino where he released his debut three-part album dejame. olivier mateu aka rodriguez jr. grew up in the south of france and moved to paris as a young adult and soon formed the electro group the youngsters. signed by laurent garnier to f communications, the duo released two albums and a string of successful singles. focusing on a different alias, rodriguez jr. gave olivier the freedom to run with his creativity, which can be seen in his acclaimed live shows.

2021 repress!!! x-ray records catalogue is as under the radar as it is rich and ahead of its time. releasing between 1992 and 1994, most of the label s outputs were produced by raymond castoldi. although people primarily know castoldi for being the music director and organist in madison square garden, he also has a lesser known chapter of his life. in the early 1990s, raymond released 6 eps on his imprint x-ray records. by coupling his musical education with a four-on-the-floor club pattern, castoldi managed to create a jazzy vibe with spaceous sounds and keyboard jams, all coalescing into a relaxing atmosphere that would eventually become the signature sound of 90 s deep house. in partnership with castoldi, kalahari oyster cult delivers the goods once again: 11 tracks from the x-ray catalogue over a 3lp for your deejaying pleasure.

berlin based arttu has been dropping his dusty fat beats across numerous techno labels including philpot, clone and 4lux for a few years but it was 2016’s track ‘hoodies’ on arttu’s own imprint cyblo that caught the attention of accidental label boss matthew herbert (and which remains firmly in herbert’s record bag). arttu was invited onto the accidental jnr roster and has delivered a chunk of techno with so much swing it made donkey kong blush. arttu takes the most simple of jazz bass hooks and loops across a rigid kick, it’s when those hats kick in that the groove goes fucking wild. the presence of us native roberto q ingram on vocals brings a full detroit gangster flavour to the party. initially arttu and roberto had an idea to record a simple and sweaty track with roberto on the mic and arttu at the control of some dusty old machines. the result, ‘bass trakk’ is exactly that: roberto dropping lyrics over a raw beat and a massive bassline. the ep is rounded off with a deep bit of techno ‘debris’ with all the trappings of the darkest hour of a berlin winter in which it was recorded.

sex. sorrow. synthesizers. digital romance are a french duo cast in the mould of vintage electro pop. their sound echoes those halcyon days but is firmly set with an eye on the future. vocals, from marie de berlin, are deep, inviting and rich. tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. sparkling synthwork, care of forgotten illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

the people in fog are back on sov! as smooth sky blue colour cat can represent, this ep has a smoother beat than the artists usual style. if you remember their previous ep with a darker colour, now the punching kick and identical house bass are gone and this ep is true showing off the producer s ability as a musician who can adapt to any kind of diversity. the first track last song has deep bass and atmospheric sounds, like a typical romanian loop, but after the long trippy beat when the piano sounds kick in, the atmosphere changes and brings back the emotion. the second track get funky is also truly hybrid version of house, while the combination of funky vocals and the endless hi-hat and shaker keep the groove tight and the deep down pad sounds mixed smoothly with the forest of beat make for a truly a unique character. the last track alright is a very joyful one, even though it uses a typical funky house vocal sample. its unique way of playing percussion and vocal keep the groove totally all-right

south african house and synth-funk from the kwaito era by the legendary senyaka kekana. the unexpected deep house jam bayanyonyoba (1993) and the illustrious soul song dont judge me bad (1987) are big rh favorites. original copies are absolutely impossible to find, now released on 12inch for the first time. beautiful sleeve by stenze quo! esa williams i had the pleasure of performing alongside senyaka at the alexander theatre, johannesburg back in 2012 which would have probably been his last most iconic gig before his passing in 2015. these two tracks really showcase the sounds of south africa around the early to late 80’s, the influences from american synth pop and house that would then lead later into many of these records being played at the wrong speed which ultimately became the original kwaito sound from south africa

ltd nice price 50% summer deal !! longtime lover of good music and hungry for new sounds, french born remi mazet joins love fever with the paris is burning ep. a sexy mix of nudisco, house, deep house. the release comes with the a remix from the musical enigma that is man power, who delivers a driving techno remix which really delivers.

south africas escapism refuge returns to londons smokin sessions with the on the fence ep, following his previous effort for the label the highly acclaimed vol. 31. a-side and title track on the fence is an understated and subtle effort, carrying with it an introspective and moody set of harmonies and chord progressions. its a quietly uplifting start to the ep, and the tracks lead melody will remain stuck in your head for days. the b1, almost eight does things differently by incorporating elements of classic ruff sqwad-era grime with an updated and crisp set of modern day production techniques. the ep’s last track, dust, uses a deep and propulsive bass line, which is augmented by escapisms now signature use of fleeting vocal samples. its a powerful ending to a heavyweight and emotionally-charged ep from escapism refuge. escapism refuges previous efforts have gained impressive dj support from across the scene, from figures such as compa (deep medi), synkro, gilles peterson, lefto, joe kay (soulection), don letts, tim parker, n- type, phaeleh and many more.

realitycheck returns to uttu with 3 blissed out deep club tracks - melodic techno, electro-bass & detroit house - all in the mix!

bakk extends it s mind-altering quest with plafond 2 with two tracks averaging 17 minutes. from antwerp s depths milan w. brings a stunning track (consisting of three parts) of ambient exotica. the flipside carries synth wizzard ekolali, who resides on a barn in sweden, with a rhythmic jam to sink into. comes again in a special screen printed outer sleeve and tasteful obi strip made by the bakk deep dream department.

creme organization s latest missive comes from fabio monesi, an italian with a gritty house sound that is aimed squarely at the club. he s served up punchy beats on labels like russian torrent versions as well as his own wilson records before now and has a simple but effective sound. riot kicks us off with rock slid kicks and lithe synth stabs fleshing out the macho groove. clever vocal samples bring some steaminess and ensure this one will do plenty of damage on the floor. last friday is a raw and lo-fi affair with rattling, sharp edged hits and hissing synths all softened with jazzy chords. house drums and rolling bass prop it up in groovy fashion, then reduction is a frazzled brew of spiting hits, jerking machine grooves and busted frequencies that is as raw and tough as you like. last of all, the excellent ozyork rounds us out with punchy drum programming, intoxicating and off kilter chords and brain frying sonic imperfections that are perfectly imperfect. add in a deep acid line and you have a surefire house bomb with real meat in its bones.

following an incredible sophomore album for mörk and a stunning self-released white label, grant graduates to the lobster theremin main label with a full ep proper of signature studio deep house.
refined song-writing, valve warmth, studio air and dusty edges, grant’s production style has taken on a life of its own as he’s progressed from early split eps on the lauren bacall to entering the lobster fray. his influences, also showcased via his temporary state label, are worn on his sleeve albeit with a unique sonic quality and structured tension & release that is mastered by so few over such a lulling, woozy template of sound.

nice price deal !!! transport recordings is proud to present its brand new limited edition release, monita fea, courtesy of swiss italian producer dario d’,attis. dario who has had releases on purple and map dance delivers two summer dance floor winners, blending deep dark tracky elements spiced with tasty latin guitar licks. this package includes dario’,s original club and julius papp’,s neo disco mix.

!! vinyl only !! four originals from the italian artist. turins rills has been steadily gaining a strong following over the decade with his tracks being played the likes of ar:pi:ars raresh, daniel bell, dyed soundorom and cassy, and finding a home on imprints such as 8bit, in haus wax and esperanza. here we see rills join the roster of visionquests vinyl only offshoot label, special editions, following material from jorge savoretti, konrad black and quilla. zorlak opens the package and sets the tone of raw and dubby via murky atmospherics, swirling chord sequences and a swinging rhythmic drive, yoda follows and retains a similarly swung drum groove whilst introducing spaced out, unfolding pads across the composition. stranger freaks kicks off the b-side of the release, stripping things back to bumpy drums, heady resonant synth swells and hypnotic tension buildings drones before paper beatz rounds out the package with smooth deep pads, modulating synth stabs and shuffling hats.

memoryman aka uovo gives us some deep-disco vibes with rolling rhythmic beds and hip shaking grooves. wound music delivers it in 12inch, with three original tracks (b1 originally released on defected records) with heady 90s remix by voodoo effect. the shark will bite you with his sound!

mojuba is very proud to present the next release of the collaboration project with the one and only chez damier. the second release features a new mix of the epic downtempo >why< and turns it into a mesmerizing journey to the deephouse realm. on the flipside you will find an unreleased carl craig remix of the legendary >help myself< track from kms. the ep finishes with a brand new chez track in best prescription manner that burned down dancefloors already during his latest dj-sets while testing it on the crowd! prepare to be touched! 2017 repress - fresh design

the music ep, released on carters organico label still sounds totally streets ahead today, a sublime 4 tracker existing in the deepest recesses of the dance-floor. beautifully deep constructed house music filled with emotion and soul, the music ep ticks a lot of boxes. in fact, it d be surprising if this record ever leaves your bag. so many moods are contained within it s grooves - melancholy, narcotic delusional happiness, sheer abandonment, it s all here.

limited 2017 repress !! with the much anticipated debut album of afefe iku, yoruba records presented the first official banger of 2008 with mirror dance. with its ridiculous driving beat, and one of the most memorable melody lines we ve heard on the dance floor, mirror dance is another one of those dance floor monstrosities that afefe iku seems to naturally pull out of his magic hat. on the b side, osunlade takes it deep with his yoruba soul mix featuring spoken word king oveous maximus. with deeper rhythms and a stripped groove, this one takes you back to the basement house parties allowing you to go into trance and zone out to the words of ove. brace yourselves, yet again

the man known as persian follows his own path. house. techno. garage. breaks. jungle. digidub. dubplates. here two cult classics come together as a ‘showcase’ of riley’s talent. a song for the end of times, we should shout faces down the corrupt systems of today. true thoughts. real garage. ambient house makes a welcome return with detroit special, mr fit siegel. an ode to dive deep down and beyond. green fields. dew. sound system. bass. freedom. morning sun. persian can’t be defined. a chameleon. links beyond history if you will. normal 4 represents the nu-old-skool. where were you in ’92? feed the mystery.

the second volume of the bld remixed series is here. once again, original tracks previously released have been revisited by artists that support the label since the beginning. in such good shape nowadays, oliver deutschmann delivers an outstanding remix of acid on mars pushing the limits of warehouse techno & jackin house faded with warm & hypnotic detroit chords and space-pads. as the name indicates, minneapolis legend freddy fresh delivers an ethereal mix of before deep full of nostalgic dreamy synths reminding us of his 1995 return to phantazia vibes. last one is coming from prolific asok bringing a raw and banging rework of be apart based on 808 electro beats & breaks combined with a crunchy bassline.